Juke Box Throwdown: Jane's Addiction- Ted Just Admit It

"Ted, Just Admit It..."

Camera got them images
Camera got them all
Nothing's shocking...
Showed me everybody
Naked and disfigured
Nothing's shocking...
And then he came
Now sister's
Not a virgin anymore
Her sex is violent...

The T.V.'s got them images
T.V.'s got them all
It's not shocking!
Every half an hour
Someone's captured and
The cop moves them along...
It's just like the show before
The news is
Just another show
With sex and violence...

Sex is violent...
Sex is violent...
Sex is violent...
Sex is violent...
Sex is violent...
Sex is violent...
Sex is violent!

I am the killer of people
You look like a meatball
I'll throw away your toothpick
And ask for your giveness

Because of this thing!
Because of this thing!
Because of this thing!

That's in me
Is it not in you?
Is it not your problem?
A baby to a mother...

You talk too much
To your scapegoat
That's what I say
He tells you everyone is stupid
That's what he thinks!

Snapshots
Make a girl look cheap
Like a tongue extended
A baby's to a mother

Sex is violent!
Sex is violent!
Sex is violent!
Sex is violent!

I wanted to focus on this particular song, because Jane’s Addiction has long been one of those bands who I can slip into as easily as a well worn pair of oversized coveralls. I loved them with the intensity that only a 14 year old kid can love a band for a good portion of high school, and then, as is often the case, I sort of forgot about them. However, there have been a few random occasions throughout my adult life where they have come back out of nowhere to remind me of how much I love them. One such occasion was just a few weeks ago when The Dead Guy and I were hanging out and listening to Nothing’s Shocking and Ted Just Admit It popped up. At that moment, I could not help but think about how this particular song, with its themes of sex, violence and media, seems even more relevant today than it was in 1988, when it was released, and again in 1993, when it was included in the Natural Born Killers soundtrack. I then began to babble about it, which is exactly when the idea for Jukebox Throwdown was formed.

That said, I suppose a good place to start with this song would be examining why the lyrics were and are so relevant. Well, obviously, Perry Farrell was reacting to an onslaught of shocking and highly sexualized content in the news media, especially on T.V. I don’t remember the eighties well, but I do remember the very late eighties and early nineties as a time when television news seemed to focus almost entirely on violence and sex. I have no idea if my perception of this time is accurate, or if it was simply a case of me becoming more aware. I suspect it was a combination of the two.

To that end, the title of the song has always made me think of nightly news anchor Ted Koppel. Now, I know that there are references throughout the song to Ted Bundy, whose trial and interviews were being conducted around the time that this song was written, but I think it is entirely possible that the title and resulting lyrics are a double entendre of sorts: asking the listener to consider the fact that most media had become violent and that most of our primal urges are violent by definition. Flash forward to now, and it is easy to dismiss the amount of violence we see in our every day television viewing, even if it is just the nightly news, as a symptom of living in more violent or unstable times, but I think this is a misnomer, and that this song is asking us to examine exactly that.

When we see or hear of an act of violence, from a slightly less than equal sexual encounter to a brutally horrific murder, we are at once repulsed and titillated. Our hearts speed up. We get very agitated. Our endocrine system kicks in and we are flooded with hormones. These reactions are similar to what occurs when we are sexually aroused. This arousal is, of course, uncomfortable for us. No one wants to admit that they feel anything akin to enjoyment when they are confronted with the most heinous of acts, but we do. We know, on a visceral level, that we would not act out of this primal reaction, but just that slight tingling of excitement causes us to watch these items more intensely. We are as captivated by the horrors of truly diseased men as we are by images of sex acts.

As we move along through the lyrics, there are many references to images of naked and disfigured women being made to look cheap. Again, a parallel is drawn between the literal image of a murder victim and the highly polished and artificial images which are presented in pornography. Our society gasps in audible disgust at the idea of seeing an image of a woman who has been cut or altered in an act of violence such as murder or rape, yet images of women whose physical appearances have been altered by a surgeon are widely accepted and even sought after, both now and then. I think that, by using the sexual imagery in the song along with the violent imagery, Farrell was reminding us that we are drawing an invisible and ever moving line between how much violence and disfigurement is acceptable and how much is not and then using that line to both justify our own actions and to sell the actions of those we despise.

In other words, by fetishizing violence in the news ad using it to sell ad space and keep viewers engaged while lashing out against sexual imagery in the main stream, we have created a bizarre vacuum. We spend hours viewing acts which are vile, heinous and frightening via the news and no one questions it. However, we still fight to keep images of sexual acts and expressions under cover. Perhaps, we, like Ted, need to admit that this sort of shaming of something natural and beautiful along with the exploitation of something so vile may be causing some of the problems we are facing.

-Shannon

After the Tipper Gore PMRC debacle, many bands felt it necessary to mock, stand up to, and expose what they thought was a true purveyor of the perversion of sex and violence, the news. It also informed us that these drives in the human psyche had a very thin line of distinction. Ted Bundy had been on the run since he escaped in the late 70's, and violence and murder was always enticing to the audience, as we would learn over and over again, with Jeffery Dahmer, John Wayne Gayce and O.J Simpson. The American public had their eyes glued to the screen to find out all of the horrors that had been perpetrated, and in particularly graphic detail during the trails.

We've learned very little since then about the correlation of sex and violence in the neurology of the human brain. But one could make the claim that the simple act of penetration, even in the case of sex is, in and of itself violent. Not all human beings enjoy the more extreme practices of S&M, but you could also make the case that acts like pulling hair, and even the dominant act of mounting evoke a Sadomasochistic element. What we have learned is that when it comes to entertainment sex (commercials) and violence (sports and movies) always sell. As Farrell sings “The news is just another show with sex and violence...”

Perry Farrell takes the time to really blur the line that separates these two acts. If you look at the lyrics one way he may be describing the photos of the victims that Ted Bundy captured during his rampage, or under another light of awareness it could be describing the circus of news camera before, during and after Bundy's trail, “Every half an hour someone's captured and the cop moves them along...It's just like the show before.” Farrell seems to be pointing out that the people think the news helps raise awareness about the heinous acts, when that is not the case. The news covers these stories for one reason, because people like them. The news is not here to rid the world of evil, if anything its mission is to create a culture of fear in order to desensitize people into accepting the fact that these atrocities will probably never go away.

- The Dead Guy

Jukebox Throwdown: The Deftones "One Weak" from the album "Adrenaline"

It seems as though many posts lately have been born from conversations between Shannon and The Dead Guy, and this one is no exception. Over the course of the past few weeks, we have been tossing around the idea of writing posts which are based on our interpretation and impressions of song lyrics. We decided to go ahead and try it after our facebook pals told us they liked the idea, so here it is. With no further ado, we give you Jukebox Throwdown. Let us know what you think.

One Weak

by: the Deftones

Nerve - Here I born, feeding on his lung
Verve - Is his curse, because he wanted to meet Christ alone
Bitch - you're no good, we could be so flown
Misunderstood - we could be your God
There in my bones, we could be so flown
Misunderstood - because he wanted to meet Christ alone
But you will...

Ah you'll never find me - breach unborn
Never, come here watch me burn
Never, bitch cause your scars show
Never, will I burn

Under, beneath the floor
Before, his face 'cause your no good
We could have been like one
Fuck it!

Bitch, you feel sore, we could be so flown
Misunderstood - because he wanted to meet Christ alone
But you will...

Ah you'll never find me - breach unborn
Never, sit and watch me burn
Never, bitch cause your scars show
Never, will I burn, will I burn, will I burn, will I burn

Try won't you'll never, Beg don't (3x)
Even waste your time!!!

The song “One Weak” by the Deftones is a song that has always resonated with me personally. One of the great thing about the Deftones is Chino's ability to write song that are lyrically ambiguous but saliently powerful when personally interpreted, much like a Rorschach test. To me this song is about a creative person, such as a poet or painter, and their view of the spiritual trappings of organized religion. Verve, simply means, “enthusiasm or vigor, as in literary or artistic work”. So the line, “Verve- is his curse” could be expressing how some artists, like myself, see their inspiration as something that originates from within but is trans-personal, and maybe afford a deeper understanding of this energy, which dogmatic religions personify as God. The lyrics also suggest that organized religion has attempted to fill the void, a residual effect of a child losing their innocence which once connected them to this energy, by becoming God to it followers, “Misunderstood - we could be your God.”.

In this song the word “bitch” seems to delineating organized religion or specifically the Catholic Church. The lyrics “Bitch - you're no good, we could be so flown”, may refer to the feeling that if religious leaders and artists worked together humanity could be taken to new heights. Just look at Renaissance art, and think of the possibilities if those artists where given full artistic freedom. If that was the case, the Renaissance could have been the ultimate paradigm shift in human consciousness and unity, “We could have been like one... Fuck it!”. Chino proceeds to write, “Ah you'll never find me - breach unborn. Never, sit and watch me burn. Never, bitch cause your scars show?”, this seems to refer to religious fervor, for example when it comes to a topic like abortion, or as he ambiguously refers to it the “breach” of the “unborn”. It sheds light on the tenancy of the pious to criticize others decisions, and suggests that this is not a divine path toward this energy that the holier-than-thou call God. The line, “your scare show.” may also refer to the hideous acts of violence and ignorance perpetrated by an institution that presents itself as infallibly righteous.

You could make the argument that the title of the song, “One Weak”, refers to an idea that a spiritual path of one, may appear “weak” to the pious follower, even though mentally the artists may have a leg up on the establishment. The problem may lie with the masses of public life, who when confronted by an artist, might fail to see beyond the ideal of just an individual that creates aesthetically pleasing images, “Misunderstood - because he wanted to meet Christ alone”. It is the artists who attempts to bring to the surface the inner worlds of suppressed turmoil as something to learn form, not to feel guilty about. As Alan Watts once said, “Christianity has made guilt into a virtue.” The artists experiments with, communes, and channels the unconditional love of the universe out toward humanity on an attempt to guide toward a more spiritually connected toward all the energies of the universe. It may be interesting to point out that the album was originally titled “Communion” before it was change to Adrenaline, and that the cover art uses a baby aspirator, a device used to remove mucus and other and other “obstructions” from the respiratory system.

-DG

While I do not directly disagree with DG’s interpretation of this song as a commentary on religion, I would like to offer another interpretation. If we take the lyrics as they come, we can see a certain personal anguish which I believe is working in conjunction with the religious imagery to obscure itself.

The theme of betrayal and loss of love is fairly apparent to me as in the lyrics “We could have been as one.” And “Don’t try, you’ll never beg, don’t even waste your time.”

I agree that there is a sense of this song being about the loss of life, but I am not sure that it is a direct reference to abortion. It seems more likely to me that the image of a breach birth, which is a very difficult way to create a life, is being used metaphorically as a way to express the author’s anguish over someone giving up on something difficult such as a lover betraying him. This interpretation is further supported by the lyrics:

“Under, beneath the floor,

Before, his face 'cause you’re no good

We could have been like one,

Fuck it!

Bitch, you feel sore, we could be so flown.”

When looking at these lyrics, I think a case could be made that the author is lamenting having been abandoned by someone he loved. “Under”, “Beneath” and “Before his face, cause you’re no good” all seem to indicate that the subject of the lyrics, if we take it to be about a lover or ex-lover, has been sleeping with someone other than the author, and that the author is a great deal of pain over this.

Additionally, the author repeatedly makes reference to being unfindable to the subject, as though they are afraid that the subject will someday want to find them again. The references to showing scars could be taken as another metaphorical reference to lifting of a veil that occurs when one is so hurt by someone about whom they care that they then become able to see that person’s flaws in a way that they were unable to before.

Of course, this interpretation runs into a bit of trouble when we are faced with the line “he wanted to meet Christ alone”, but perhaps these words are not as troublesome as they appear. One could safely argue that, when taken within the context of the larger work, they may refer to the subject’s new lover leaving them to be alone, or even dying. This makes more sense when you consider that the rest of the song could be taken to indicate a desire to lose contact with an ex-lover.

Finally, to address the title, “One Weak”, that in and of itself is a play in words which could be taken to either delineate a period of time, or a personal weakness. Both possibilities can be made to work with my preceding interpretation. If we look at the title to be a length of time, it can be taken to measure the amount of time the author spent with the subject, the amount time they have been away from the subject, or the amount of time the subject spent betraying the author. If we take it to indicate personal weakness, it can be taken as a statement about either the subject or author’s state of being. Perhaps the author sees the subject as being weak when they once appeared strong or perhaps the author sees themselves as being weak in the face of betrayal.

-Shannon